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Monday, 23 June 2014

To Celebrate Prizes, a Sample Story from Bottles & Pots

Seem to have banged on about my two recent prizes everywhere else, so here's a quick summary for this blog.

The current issue (July) of Writing Magazine includes my story which won first prize in a Writers' News competition on the theme of 'Comeuppance'. Being familiar with my darkish short stories, some of my writing group could quite see why I entered! The story is She Loves Me, She Loves Me Not, told by a chap who watches his own funeral and the aftermath, and involves a naughty wife, a cardigan, a chubby chancer and a pink leather jacket.

I was also awarded second place in a competition run by our city council & their 'depot'. This one was The Butchers, and since I'm vegetarian I put the boot into them but as sweetly as I could.

Then I realised that I haven't, as it were, spread myself around in a literary way. So here is a short story (760w) from my first collection, Bottles and Pots. Not all are historical, and length ranges from flash fiction to 3,000w or so. Hope you like it.

 
ST ANSELM’S DAY 

The people of Fordwich held a festival each year on the feast day of St Anselm.
            He was their much-loved eleventh-century local saint, once archbishop of nearby Canterbury and now interred in the cathedral. Each year on April 21st the servants at the manor house were granted the day off, as were the labourers; shopkeepers and merchants closed their doors. Even lords and ladies from other manor houses would mingle with the crowd in the market place. And this year, 1263, events had been meticulously planned, for local records suggested that Anselm was canonised exactly one hundred years earlier.
            Milo Chaloner had lived in Fordwich all his life, as had his wife, Estrild. At this time they had been married for some ten years, and had been reasonably comfortable together, although there remained silent shadows in the background. Still, like others, they and their three children were looking forward to the next day’s festival. There had been another child, but he had died during his first weeks after crying bitterly and often during his brief time.  As was usual for little ones, his body, wrapped in its christening gown, had been taken to an ancient oak outside the village. A small tomb had been hollowed out for him within its massive trunk, and Estrild had gently placed him within, watching and weeping as the elders sealed the tomb with pieces of the bark held together by mortar. His remains would feed the tree in the months to come.
             Now Estrild was preparing the slaughtered pig, a job she loathed but it was expected of her.
            “You’re doing the hog roast again this year, Milo?” she asked, without looking up.
            “Aye. And the brewer’s supplying the ale.”
            “Anyone helping you with the roast? I’d rather not, myself.”
            “When you say ‘anyone’ …?”
            “I mean Alwyn. He usually helps you.”
            “Aye, and he helps himself, too. Not only to the meat, neither.”
            Estrild’s knife slipped and cut her hand. He watched as she went to find cloth for a bandage.
            On the day itself, the weather was fine. The maypole dances went well, with just the occasional knotting of ribbons, and much ale was bought and drunk. The Greene Man was splendid in his costume of branches, leaves and grasses, and he lit the bonfire as the day wore on. The travelling fortune-teller told Estrild that there had been sadness – of course everyone knew about the baby – but said there was more to come and dismissed her without taking her silver.
            Two farm hands helped Milo with the hog roast, but Estrild had no interest. Alwyn had stayed away, and she was sorry. She did not mention him further to Milo.
            As evening fell, the villagers formed a group and began, as was traditional, to walk the boundary of the village, laying their hands upon established trees in thanks and reciting prayers to St Anselm around any that held living tombs.
            As they approached the Chaloner baby’s tree, Estrild held on to Milo’s arm as the tears welled up. But his arm was stiff and he could not offer comfort. The prayer was said and the group moved on, but not before the Greene Man had noted some dislodged mortar. There was whispering and later he, with two others, returned to the tree. They studied the mortar carefully, and it was decided that the tomb must be checked.
            The replaced bark pieces were removed, and they peered inside. The body of the baby was decayed while the gown was in fair form, but doubled up and pressed against it was another that should not have been. A man, not long placed.
            “That looks to me like Alwyn,” said one of the farm hands.
            “It’s Alwyn all right,” said the other. And so it was.
            The news spread quickly back to the group, and they were shocked. Alwyn had been a striking young man who featured in the dreams of many of the local girls, though as far as anyone knew, he had not taken up an offer in the village. There were rumours of a lover, possibly in Canterbury itself, but no proof.
            Estrild was grief-stricken once again, and Milo spoke harshly.
            “It’s months since we lost the child. You’ve three others to look after, and they need you to be strong. So be strong.”
            As Estrild made her way tearfully to their bedchamber, she heard Milo muttering but could not make out his words.
            “Best thing for the bastard child. Together with his father until the tree be felled.”

Thursday, 10 April 2014

A Song from the Teenage Heart!

A change of mood now. 

In my late teens I played folk guitar and occasionally wrote songs. I used to sit by an open window, playing and singing, in the vain hope that a record producer might walk by, hear me, and offer a record contract on the spot. At that time I was writing a pop music column for the local paper, and soon afterwards had a job as singer with a group of Cambridge undergrads performing at USAF bases in France for the summer vacation. Buddy Holly, Brenda Lee and all that. Then the others went back to university; I was invited to join another group to tour Germany, but being a romantic and my boyfriend being unhappy about the idea, I didn't go but came home instead to take up secretarial work.

Anyway, one song 'what I wrote' has recently been circulating in my head for some reason. I sang it and played guitar for an audition for Opportunity Knocks, though I got the old 'Don't call us, we'll call you'. Here are the lyrics - and I must stress they're not autobiographical! I was lucky not to be dumped at all ...

Each verse except the third is sung in a minor key. All together now:

I met him in the su-ummertime,
And loved him by-y the fall.
   He smiled at me,
   I couldn't see
He didn't ca-are at all.

He gave me pearls, he ga-ave me gold,
He gave me e-everything.
   He smiled, he said
   That we'd be wed -
I wore a diamond ring.

But came the spring, I suddenly knew
He wanted to be free.
   He smiled, he said
   That love was dead -
He didn't ca-are for me.

So if you meet the boy of your dreams,
With lips as sweet as wine,
   You may be blind
   And you may find
He'll break your hea-art like mine.

Have to add, ©Jacqueline Pye 2014 !
 

Sunday, 30 March 2014

Target Reached!

It was the online short story course early last year that showed me how to break out into different genres, and that has been the root of what's happened since.

My climb up the greasy pole began with some short stories being accepted for several anthologies. Then last summer I began collecting together some of my short stories from earlier months and writing more - mainly dark stories and flash fiction - and put together a collection. While this was in progress, I entered two stories for the open competition held by the Winchester Writers' Conference 2013. A writing pal from Southampton Writing Buddies won first prize with a terrific piece full of colour and some quite understated violence, and we were all delighted. Then, to my surprise, I had my two stories back with kind critiques, one marked 'third place' and one 'commended'. 

After that I set about finishing and self-publishing the collection as Bottles and Pots* (ebook and paperback) and this has sold reasonably well and received five-star reviews. At the same time I converted my ebook novel for children of 8-10 years, Millie the Detective and the Diamond Ring**, to a paperback, and that has done well too, again with five-star reviews. Millie mark 2 is in progress. I arranged book-signings in various places locally, which was great fun, and judged a children's book-themed cake competition. Currently awaiting entries from Southampton Writers' Circle for an article competition which I'm to judge and award the trophy - I have twice been to their meetings to talk on the subject.

Now to targets. Last year I set myself the goal of being listed or placed in a writing competition by Christmas, and both of those were sorted, including two second places for limericks. By this summer I had ambitions to actually win a competition, and I recently heard that my short story had won first prize in a comp set by Writers' News, a magazine which I've read since the year dot but haven't entered many comps. The story is dark in its way but with some lightness and, I hope, a laugh or two. It's about a funeral, the wake and the will!

The only target that can follow these is to be listed or placed in one of the big competitions - Bath Short Story Award (just entered) followed by Bristol (April) and Bridport (May). Just have to be sure to up my game for these as they have big prizes and large numbers of entries. But faint heart never won fair writing competition, so I'm giving them my best shot.

*   Link to Bottles and Pots is http://ow.ly/pioGZ
** Millie the Detective is at http://ow.ly/pFOy8
My website is at http://www.jacpye.com


Sunday, 8 December 2013

Offer for Bottles and Pots for kindle

A quick note for anyone following this blog.:

For a week from December 6th, Bottles and Pots is available for kindle at ***99p***. This is the link:

http://www.amazon.co.uk/s/ref=nb_sb_noss_1?url=search-alias%3Dstripbooks&field-keywords=Bottles+and+Pots

I've used this particular link because, oddly, going the direct route seems still to ask the original price. If the link doesn't work, could you copy it and paste into the search bar? So far reviews around the place are 1 four-star, 4 five-star.

The paperback price is also now reduced to £3.30. Just saying!

Thursday, 10 October 2013

Self-publishing via CreateSpace: My Experience and Tips

Last year I published my children's novel as an ebook. However, marketing ebooks for children is not yet in full swing, I feel, so it has just appeared in paperback - see Millie's cover on the left.

At the same time (almost), I realised that since I started writing dark short stories and flash fiction a year ago, I had accumulated quite a stack of pieces. Some were already published in various anthologies, or had been listed/commended/placed in writing competitions. This gave me the idea and the impetus to publish the collection which turned out to be Bottles and Pots. After sending for quotes from various printers and publishers, and asking advice of writing colleagues, I decided on Amazon's CreateSpace (CS). So this post is intended to be helpful for anyone thinking of going down that route.

It has not been without hitches, some my fault, some I think theirs. They include page numbers, page breaks and the 'Browse' for files button not functioning. With each query there's a 24h a response which sometimes amounted to little more than 'Have you tried turning it off and on again' as per The IT Crowd. Any alteration means another 24h wait.

Eventually, though, all the problems have been solved, and on balance I would use CreateSpace again. Here are my tips for anyone thinking of using this publishing method.

1  Of course, have the text fully ready, edited and proofed, with page breaks inserted.
2  Set aside a whole weekend, if possible, to get everything uploaded for their review.
3  If there are time constraints on obtaining your own copies to sell, bear in mind that once
       your files are finally submitted, reviewed and accepted, you've accepted the proof, and
       you've ordered copies, printing can take maybe 3-4 working days, then shipping 1-3wd,
       5-8wd, or much longer depending on how much you pay. Once you order, the expected
       delivery date may be later than you thought.
3  Read everything on every instruction screen. (Said with feeling.)
4 When CS formatted my .doc file for Millie, the page numbers and some page breaks went
       all to pot, and I kept querying (another 24h wait) and altering (ditto) repeatedly.
       Eventually CS suggested I submit as PDF since they format into PDF. This worked 
       perfectly - at last. So it might always be best to submit as PDF.
5  My browser is Safari, and when I repeatedly hit a brick wall trying to click 'Browse' to
       select my text file, again after several support requests it was suggested that a
       different browser might help. Firefox did - and a colleague finds Chrome good too. So
       if I do this again, Firefox it is.
6  Once cover and 'interior' files are reviewed and accepted, you choose whether to check
       the proof on your computer, or order a copy (cost £10+ in a hurry). The first time, I
       ordered a proof copy, and was glad as there was an aspect of the cover I wanted to
       change. For Millie, I proofed digitally and that was fine (and free).
7  When looking at the proof, it's really important to check every bit of it. I was so tempted
       to just say 'go', as I need Millie p.d.q., but checked and triple checked first. 
8  Once the hard work is over, within the programme CS has some marketing tips.

My first consignment of Bottles and Pots has delivery date tomorrow, and no sign as yet. My order for copies of Millie hasn't shipped yet, and delivery date is just 2 days before I need them for an event. And so the nailbiting continues. On the other hand, not a penny need change hands if you don't want to buy any physical copies of your book (special members' rate) and if you proof digitally. Nothing to lose except your hair!
    

Tuesday, 27 August 2013

Lots of Writing Going On!

Currently I'm in one of those can't-think-about-anything-except-writing phases. (Apart from cooking in between of course.) Brain is in overdrive.

A previous post was about being either a pouncer or a stalker, and I'm the former - can't resist a challenge, always several short projects on the go. Here in list form is what I've been pouncing on recently.

•  Gave a talk to a writing group about magazine articles, and have now been asked to return to run a workshop and judge
       a competition.

•  Submitted two stories for the Winchester Writers' Conference/Hampshire Chronicle competition - judged by the Prof of 
       Creative Writing. One was commended, one awarded third place. Very nice critiques, too.

•  A rather unpleasant piece involving a clown and a little girl was awarded 4th place in an international flash fiction comp.

•  A very short piece was included in National Flash Fiction Day's rolling blog. That was rather nasty, too.

•  My work is currently longlisted in Ether Book's twisted tales competition; shortlist not out yet.

•  Waiting to hear whether shortlisted for a cash-prize locally based story comp. And, oh goodness, another murder, 
        but this time set in the middle ages.

•  I have ready a 22,000 word anthology of my 'dark tales', and a cover, and currently exploring the best way to get it into print.

•  As a member of Inkslinger Books I've just submitted a 4,200 word whodunnit for consideration for our next anthology.

•  Now planning to give more attention to a work-in-progress novel for 8-11s about a boy and his mother's new partner. 
        Nothing nasty here but plenty of conflict. Cd be 15,000 words.

Please forgive the egotistical nature of all this - it needed to be out of my brain and onto a page of some sort. So if you're still with me, thanks ever so.

Thursday, 20 June 2013

Microblog!

A blogpost that takes 20 seconds to read. It's another limerick of mine:

The Player at the Gate

Said St Peter "The footballing game
Has earned you great fortune and fame.
   The media adored you,
   While rivals abhorred you -
But I'm letting you in, just the same."

The end!